1. Colour
- Electromagnetic spectrum
- The colour wheel: Primary, secondary, complmentary, and other colours
- Colour-blindness and design
2. Digital color
- True Colour: Colour that isn't really true
- Indexed colour and colour-lookup tables
- Grayscale is 8-bit, too
- 16-Bit: Avoid it if you can
- Process colour (CYMK) and printing
- HSB (or HSL) : The convenient model
- CIE L*a*b : Powerful but obscure
3. Bitmapped graphics
- A map of bits
- Resolution
- Bitmap resolution
- Anti-aliasing
- Editing bitmaps
- Bitmap editing programs
4. Vector graphics
- Defining "Vector"
- Applications of vectors
- Editing vectors
- Postscript
- PostScript and Encapsulated PostScript
- Vector editing programs
5. Using vectors and bitmaps together
- Vectors and bitmaps are complementary
- Dingbats!
- Bitmap-to-vector tracing programs
6. Bitmap compression and file formats
- Why compression?
- BMP, TIFF, GIF, JPEG, WMF, PICT
- When to use each format
- Using compression to your advantage
- Performing dithering
7. Creating graphics for print
- Bitmaps: For screen captures and photos
- Vectors: For schematics
- Mixing vectors and bitmaps
- Setting a bad example
- Importing screen captures
- How not to import a screen capture
8. Creating graphics for online help
- How much colour, how many bits?
- Size and memory
9. Creating graphics for the WWW
- How much colour, how many bits?
- Size and memory
- What formats and why?
- Resizing graphics in web pages
10. Fonts: A special kind of vector
- Bitmapped fonts: The beginning
- Outline fonts: The next step
- TrueType versus Adobe Type 1
- For print, stick to Type 1 fonts
- The anatomy of Type 1 fonts
- Adobe Type Manager
- Removing TrueType fonts from docs
11. Adobe Acrobat
- PostScript is ill-suited for electronic distribution of docs
- Adobe Acrobat
- Adobe Acrobat tips
- Acrobat and printer drivers
- Acrobat and Microsoft Word 97
12. A look at digital video
- How does a movie get inside a computer?
- Video compression
- Digital video file formats
- Picking a digital video format